• Christine Porter
  • Painting
    • Shed on the Traprock
    • Small Works
    • Flood China 2022
    • Nundubbermere – 2021 Solo Exhibition
    • Suffolk
    • The Working Shed – 2020 Exhibition
    • RURAL PAINTINGS
      • Shed on the Traprock
      • Timber Built
      • Formerly “Belah”
      • The Hundredth Shearing Shed
      • West of the Barcoo
      • Painting “Newstead”
      • Sheep, Cattle, Horses
    • ARTWORK ABOUT IDEAS
      • Flood China 2022
      • A Sense of Place 2018-20
      • Shadowing Tom 2016
    • Available Paintings
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  • Christine Porter
  • Painting
    • Shed on the Traprock
    • Small Works
    • Flood China 2022
    • Nundubbermere – 2021 Solo Exhibition
    • Suffolk
    • The Working Shed – 2020 Exhibition
    • RURAL PAINTINGS
      • Shed on the Traprock
      • Timber Built
      • Formerly “Belah”
      • The Hundredth Shearing Shed
      • West of the Barcoo
      • Painting “Newstead”
      • Sheep, Cattle, Horses
    • ARTWORK ABOUT IDEAS
      • Flood China 2022
      • A Sense of Place 2018-20
      • Shadowing Tom 2016
    • Available Paintings
  • Printmaking
    • Current Etching Series
  • Teaching
    • Art Classes for Children
  • Writing
  • Shop
    • Paintings For Sale
    • Etchings For Sale
    • Cards
    • Giclee Prints
    • Commission an Artwork
    • Wishlist
    • Cart
    • Checkout
  • Contact

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Recent Blog Posts
  • The Painting-a-Day Holiday Challenge
  • When Floods Give you China
  • Every time I draw, I learn more about drawing
  • Brown Water
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Read about:
  • How Christine became an artist
  • Why shearing sheds are important to her
  • How printmaking became an important part of her practice
  • Why Christine’s art is about thinking as we as seeing.
  • How drinking coffee in the main street of Biloela changed Christine’s practice.

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