gallery wall showing small paintings + text

Why small?

Small works make me happy

Various Size Series

10cm x 10cm

These make me happiest. Often framed in artist made perspex boxes. Wim di Vos. The classic “miniature” even though these are just small works, rather than a miniature in the true sense of the word. 

11cm x8cm

I had created small series earlier of watercolour on board of various sheep images. These were going to be part of an exhibition entitled “Merino” – about how Australian sheep and wool is so much more diverse than that now. I realised that they would fit quite nicely into a store bought frame so I put them together. Most sold through the Red Hill Gallery in Brisbane, though I have only a few works left there now. 

19cm x 11cm

2024 I wanted to present differently. I like the idea of setting out in series,  Kerry from the now closed Moree Frame and Art suggested a different presentation. This is the result. In 2025 one family put all their work into one frame, so suddenly the world looks a different place. 

Other Small ArtWork Series

Photo of Christine Porter's artwork from Place series. Pencil drawings and found objects in perspex boxes
A Sense of Place. Pencil drawing with found objects, presented in artist made perspex boxes
Flood China by Christine Porter Paintings about rescued china after the Lismore Floods (1)
Flood China. Watercolour on gessoed board. 9x9cm
'Wind drinker' 2010 etching 6x6cm
Etchings. Most work is small - many as small as 5cm square.
Thumbnails Sketchbook pages by Christine Porter
Sketchbooks. These works are part of Christine's personal art practice. When read in conjunction with the

THE ARTWORK

SMALL WORKS 2025
Waterolour on paper 
10x10cm 
Available matted, or matted and framed in artist made Perspex boxes 

Every now and then I revisit work that, for whatever reason, remains in the studio. Perhaps the family chose the more major works, pershaps there was something about the work that just wasn’t “right”. Looking at them again gives me a chance to hone a painting down to its core element. Cropping to the 10x10cm format is a way to concentrate on the composition, on the way the lines and shapes and colours relate, beyond their initial inspiration. 

Time in the studio in 2025 has been about snatched moments – life, this year, is challenging. So revisiting is a kinder way to make art, when there isn’t the bandwidth to make new work. It’s reminding me of how a painting is never really finished , even when it’s in its frame and on the wall/internet. 

2020 SUFFOLK  Northern Tablelands NSW 
Pencil and watercolour on paper 
10x10cm
Available matted, or matted and framed in Perspex boxes

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