How to write your artist cv

Twice recently I’ve been asked about how to write an artist cv. The first artist applying for a grant for a workshop, the second needing one to complete an entry for a juried art show. Time, it seemed, to share some info from my “Success and the Business of Artwork” professional development workshop that I’ve been teaching for a few years now.

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In Fear of Mud

Qu: When is a watercolour not a watercolour Answer: When it’s a painting. There are many opinions about what constitutes a “watercolour”. There’s fine lines that must not be crossed about opacity or percentages of body colour. There’s even the historical situation of watercolour being once considered a sketching medium – the hierarchically inferior cousin…

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Judging Children’s Art

Six years ago, in September 2012, I was the judge of the first Holy Name School Art Show. Judging children’s art is always problematic, so this blog, which is a transcript of my opening night speech, addresses issues of competing and being an artist, even at primary school age. It gives advice to children and their parents’, that is relevant to all artists.

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Time may be linear, but people’s collections aren’t.

There are people in charge of curating private, corporate and public collections, but there is something very special about the personal collectors that Christine knows. This is a comment about how people collect, what it feels like to be collected, and how a collection is the intersection between one person’s creative episode and other person’s life episode.

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An opinion about using photographs

Susan Webster sat across from me at the cafe near the old gallery. She’s an Ag-journalist, but we we weren’t there for work, though we’d talked about her novel, and my paintings and the state of the dairy industry and more. Suddenly she said something about using photos in art. “Wait” she said, as I began, ” let’s record this”. So she did. This is a transcript of what she heard.

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