

Christine Porter lives in Lismore, New South Wales, Australia, working from her studio there, as well as in more remote areas of New South Wales and Queensland.  She is a full time professional artist. Career highlights include a Bachelor of Visual Arts from Southern Cross University, the 2006 McGregor Fellowship for overseas travel, 150+ prizes, artwork in The National Gallery of Australia and more  read her full cv here .
As a painter in watercolour, her artwork tells visual stories about rural Australia, specialising in a portrayal of the iconic Australian Shearing Shed. Read more
As a printmaker Christine continues her rural subjects, as well as more personal themes. She uses other mediums too, such as artist made boxes, when the inspiration strikes. Â Read More
As a teacher Christine shares information and skills about painting, drawing and printmaking as well as guiding artists through the challenges of art-business-professionalism. Read MoreÂ
Her writing has been published in many art and lifestyle journals, with her blog being a place to read her opinions on life, both in front and behind the easel.Â

TEXAS REGIONAL GALLERY Aug 1 – Sept 11
Let’s Talk About Landscapes
Group exhibition curated by Jane Henry. Also includes landscape artwork by Karen Backus, Terri-Ann Crothers, Jane Henry, Nerida Woolley, Robyn Beetson.Â
Artwork by Christine also includes the larger shearing shed painting of Charlotte Plains, included to describe the way our view of the landscape comes from where we are sitting at the time
See full catalogue of Christine’s Time Lines seriesÂ
Finally there is a page of available paintings. Thanks Ben at Town and Country Digital for his back up , and hosting of this site. Not at advert – but he’s a understands the business: having people who know their stuff, makes it easier for me to know mine!
This link here, takes you to a page that I was rather tempted to callÂ
“Schrodinger’s Gallery” – at any given time work could be here, in exhibitions, or just sold. Which is why I’ve never had a page like this before.Â
Well now I do. And here it is.Â
It will continue to have items added and subtracted from it, as is the way. Enjoy 😊Â
So far this year there’s been very little studio time.
The year has started off where last year ended – me stepping back from my art practice and into a role as carer for my aged mother. Part of that has been about keeping her busy and engaged. It was a surprise to all of us that she took to plein air so easily – family legend has our creative genes inherited from the paternal side. For the last 18 months mum and I have been out and about “doing a bit of sketching”, both of us just paying attention to what is in front of us, rather than making finished artworks. It’s been very meditative, and now as things change again in our daily lives, we both look for that time to be still in the world.Â
SEE FULL SERIES OF SKETCHES HERE

The question is “what does an artist do?”
Yes, my full time practice is about sheep and wool, of which there is a dearth here on the Mid North Coast. Yes I have prep material for several years yet. But time aside, my creative bandwidth has been stymied. Making things from what is around me is keeping me an artist, even if, for this short time, I am not really a painter. My sketchbook has kept me sane, but then so too has my garden. This distance from my practice lets me see it’s breadth. Soon, I whisper. Soon I’ll be back, and between now and then let the colours from another palette inspire.Â










Almost a year ago Christine began working on a series of paintings about the woolshed at “Charlotte Plains” near Cunnamulla: a poignant collection as it was this very shed, forty years ago, that marked the beginning of her career-long exploration of Australian sheep and wool.Â
The work was exhibited at a family party, and again at the 2024 Downlands Art Show in Toowoomba. The rest of the collection is now at Christine’s studio/gallery in Lismore, and here, on your own device. If you’d like to visit and see the work in real life, please contact us to make a time. We’d love to see you.Â
See all the artwork from the “Charlotte Plains” project here., including any that are still available.Â
Book a visit to Christine’s studio here.
It was last September when journalist Kirsty McKenzie and photographer Ken Bass visited to interview me for an article for RMWilliams’ OUTback magazine. Thrilled to bits to be included. It was released late 2024 but is still available on the newstands now, early 2025. Another first: never been a crossword puzzle clue before. But look here… what a hoot!Â


When I think about being a writer, my first reaction is that I’m not. Then I go and write something , in full sentences (mainly) and I wonder then perhaps if I am.
Suffice to say the blogs on this site are a place for me to air some opinions, randomly, in response to whatever catches my eye.
The luxury of noticing, then commenting, then illustrating and formatting, has been a bit thin on the ground of late, but recently the muse struck and for the first time in an age I have something for you.Â
Let me share the most recent piece of writing that came from an excellent day out painting in Melbourne. And how I nearly went over to the dark side ! Read blog
September and October saw Christine in the south. Having been invited to speak for the Watercolour Society of Victoria she was thrilled with the opportunity to spend time in Melbourne. There were museum and painting trips, visits, restaurants, and her first coffee there ever…Â (on her last visit she wasn’t a coffee drinker)Â
Tassie followed: more visiting, more galleries, more teaching. Great place – can’t wait to get back again.Â



You may or may not know that I’m the president of the Far North Coast Canoe Club. This year at the annual Paddle Australia Awards held at the Gold Coast, our club was honoured to receive the coveted “President’s Award” which is a discretionary award from the president of Paddle Australia for whomever, in all of Australia, she warrants recognition. She’d been in contact with us since the flood, and had been very supportive. But it was a huge surprise for us to be recognised thus. My thanks for all the support from the paddling community for your support since the flood.
Mid June I was near Moree helping a family celebrate the 100 years they had been on this property – shortly before the family left the district. I created a body of work about the house and sheds, then presented it at the family gathering. It was a wonderful day of sharing and stories. Thanks C and H for inviting me to make this artwork, and for including me at the party. Was a great day.






Like everyone else in Lismore, I spent most of March and April helping those who had been impacted by the terrible floods. I didn’t set out to make artwork about the time, though I did keep a flood journal – pages of which are reproduced in this blog. There were many ways to help, and we all did what we needed to. I helped my friend Marie with her inundated storage units that held stock from her second hand book, and also her vintage clothes businesses. She’d been in the throes of packing up her life to move, so all her childhood belongings, her excess homewares, and her large private collection of china was also in the storage units. After handling every piece in her collection, I began to see the beauty.Â
The artwork for the Flood China series was the result. Read MoreÂ

Our town has always been known for its flooding.
Most summers the river rises, sometimes up to five times, from February up until early May. Easter is always wet. It’s what it does here.
By now you would have seen the photos of what happened on Feb 28, 2022. My place is out of flood water, but so many people in our town thought they were too. When the river came up this time, after a full seven days of the sort of solid “flood rain” that has long term locals checking their flood plan, it kept coming up. Past the levels of 1974 and 1954. Past Cyclone Debbie’s recent horror levels. 2.4 metres higher in fact. That’s the second story of all the shops downtown, that’s into the Lismore square, over the macca’s sign, into the cathedral, right through half a dozen schools.Â
Lismore is struggling to regain itself. The short sentence “lost everything” does not even begin to describe the losses, trauma and ongoing horror of this time. I’m ok, but there are many of my fellow artists who aren’t, who are rebuilding their practice whilst they are struggling to rebuild their homes. We will bounce back. The concerted effort of volunteers who saved lives as the flooding was happening, have also taken on the back-breaking and soul-destroying business of rebuilding homes and lives.
There are many ways you can help. Googling “help Lismore flood” gives many options. This is one via the Lismore City Council Contact me if you have an idea that could benefit. Coming into winter it’ll be rugs for the floors, and blankets. But the needs are ever-changing.Â
Contact Christine directly to purchase any paintings you see on this site – which may not be up-to-date regarding the availability of any artwork.
The shop pages have cards, etchings and giclee prints.Â
Prices for paintings range from $300 – $4000 depending on their size, age, and framed state.
Prices for etchings range from $60 – $350
Cards begin at $3 each, Giclee Prints from $100Â
Prices for a commissioned painting or etching depends on the nature of the project.Â
Studio Visit Christine’s studio/gallery in Lismore Open by appointmentÂ
Solo Exhibition 2025 is a year for the studio – there are no exhibitions planned for this year
Group Exhibitions Australian Watercolour Institute Annual Exhibition, Sydney .Â
Gallery Representation – Red Hill Gallery Brisbane, PG Printmaker Gallery Melbourne, Coldstream Gallery Ulmarra, The Lodge on Hawthorne Blackall, Barebones Artspace Swansea Tas.
Regular Exhibitor – Toowoomba Grammar, Downlands, Goondiwindi Aspects Art Show, Blackall Heartland, others
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Christine can help you with your art journey – she teaches skill classes in Watercolour and Printmaking. These can be taken in person, with your art group or friend group, or over the zoom. She is also passionate about supporting emerging artists in their understanding of the industry. All classes start with the individual’s needs. Contact Christine directly . More details about Christine’s teachingÂ
FACEBOOK
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INSTAGRAM
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What you’d expect from Insta – a life and practice described in pictures.
YOU TUBE
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Christine’s official channel showing short videos on various topics including News, Regionally Speaking (interviews with other regional artists) and watercolour skills. 
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