Unframed colour etching on paper
techniques used: single plate etching, wiped a la poupe, with relief roll.
Year created: 2014
Series: IMPLICATIONS OF A FAIRYTALE CHILDHOOD –An ongoing series of etchings, using a variety of printmaking media, that explore the way the lessons, ideas and “truths” in childhood stories inform our adult understanding of the world.
Size: 5 x4.5 cm
Paper: 300gsm cream Hahnemuller paper, 23 x 26cm
Printed by the artist by hand, in her studio in Lismore
Variable edition: This edition of ten follows the beginning of the series where state proofs of this etching were created that included this bird with an embossed bird shape below it. The earlier version was exhibited across Queensland in the Bimblebox 153 exhibition which was curated to protest the loss of habitat for the 153 bird species in the Bimblebox Nature Reserve with the possibility of mining in the Galilea Basin.
Awards 2014: Ist prize Blackall Headland to Heartland exhibition.
Presentation: packed flat, wrapped in cellophane with backing board. Ready to frame immediately or to store
Authentication: numbered, titled and signed by the artist below the image. Edition information certificate included.
Price: includes postage worldwide.
4 in stock
ABOUT THE ARTWORK
The artwork genre of printmaking describes original, handmade artworks usually created in multiples. Even though they share the same name as commercially produced prints, these are not giclée prints. Each print is created, inked and printed by hand, by the artist. Drypoint printing, or engraving, is the simplest form of printmaking. Using a sharp tool, the image is scratched onto a thin piece of metal or plastic. For etchings, the matrix is either zinc or copper plate. The ‘scratches’ are made by coating the surface with wax, drawing through the wax, then dunking the plate in acid, which etches the marks into the plate. The plate is then inked and wiped by hand, before it’s passed though a hand turned etching press. The press, which acts like an old fashioned mangle, squeezes the ink from the scratches onto a piece of damp paper. The process of inking and printing is repeated for each individual print. This suite of etching utilizes the wiping technique known as “plate tone” where a thin film of ink is left on the plate. Consequently there are minor wiping variations within each edition. An edition is a group of prints, all the same or similar to each other, printed from the same plate. Each individual print is signed and numbered by the artist, indicating how many prints are in the edition and which print this is. Sometimes an artist will sell or exhibit his or her artist proofs, or other proofs from the developmental stage of the artworks’ creation.